It was just clinical enough to work and be functional and so forth.”ĭirector Pete Docter: “Giving her blue hair, which was completely opposite of yellow, just rounded her out and made her a more visually complex character. We talked to the art department as they started coming up with it-that and the whole room-that it was almost like this combination of it’s a small world and an Apple Store. You sort of just accepted that those buttons worked and did things, and we wanted a similar grammar but in a fun way. You don’t need to know what the buttons do. Jonas Rivera: “I remember looking at the Milennium Falcon and there’s a throttle. Anger is a brick-this brutal briquette that won’t stop, just a square and Disgust was a stalk of broccoli-because our kids would be disgusted by that.” On the “Headquarters”: He’s tight and conservative and just wound up. Fear was just a raw nerve-drawn like this straight line. Sadness was a teardrop, even the shape and color, and her hair was almost a waterfall. Producer Jonas Rivera: “Albert Lozano, our character art director, came up with this great little simple drawing of each of them as a different shape: Joy was a star, and she was golden, illuminated, almost like a spark-like an explosion. On how the Emotions were originally conceived: We recently attended a Q&A with Inside Out’s incredibly talented filmmakers and voice cast-and we’re excited that they shared with us some of the little voices inside their heads.
Based in Headquarters, the control center inside Riley’s mind, five Emotions are hard at work, eager to guide her through the difficult transition. The film takes you inside the mind of Riley, an 11-year-old girl who has just moved to a new city with her parents. Pixar’s new film Inside Out opens this Friday, June 19.
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